It thus offers even more creative freedom for shooting from unusual perspectives and also enables focus shifting at the touch of a finger. The EOS 6D Mark II is the first Canon full-frame DSLR with a rotating and tilting touchscreen LCD. In addition, the EOS 6D Mark II features an in-camera 5-axis Movie Image Stabilizer, ensuring steady shots even when shooting freehand. The powerful Dual Pixel CMOS AF provides exceptionally fast and precise focusing in Live View mode and smooth focus control in video recording. Furthermore, continuous shooting at up to 6.5 frames per second offers users new shooting possibilities. In the EOS 6D Mark II, the DIGIC 7 processor ensures, among other things, that the focus on moving objects is set in advance. The possibilities of the DIGIC 7 processor are manifold and convince above all by speed and performance. Moving up to the EOS 6D Mark II, even the most challenging shooting situations can be mastered spontaneously, quickly and easily. The EOS 6D Mark II's 45-point AF provides professional autofocus functionality for creative assignments and can be customized for precise focus tracking, even with moving subjects. Working in tandem with the DIGIC 7 processor, the EOS 6D Mark II's technologies ensure that data straight from the camera is compelling with exceptional quality. Thanks to a moderate pixel count and improved image processor, ISO sensitivity now extends to ISO 40000 and is also expandable up to ISO 102400. Its high dynamic range allows for generous exposure latitude which is beneficial in high contrast shooting situations. The EOS 6D Mark II's newly developed 26.2-megapixel full-frame sensor boasts exceptional image quality and performance, and is especially appealing to users looking to move up from a camera with a smaller sensor. I want to adapt my 28mm (which is faster than my 24-105) and my 20mm (which is wider) for less money than buying a new lens.The Canon EOS 6D Mark II is a powerful full-frame camera and is suitable for many applications such as HDR landscape photography or fine art portraits. ![]() I already have a 35mm f/2 and a 50mm f/1.8. Oh, or simply because the lens rocks (55mm f2). Reasons can be money (55mm f1.2, 500mm f8) or optical qualities (85mm, 135mm, 55mm f3.5) or unusual character (55mm f1.2's, 140mm). Oh, and an Ultra Micro Nikkor 55mm f2 (for APS-C). A Nikkor-S*C 55mm f1.2, a Nikkor-Q 135mm f3.5 (very sharp and nice bokeh), a Nikkor-S 50mm f2 (very small and sharp wise open), a micro Nikkor 55mm f3.5, a Tamron SP 500mm f8, an Old Delft Delfinor 140mm f1.8 and converted a Canon FL 55mm f1.2. I can't shoot enough with my EF 85mm 1.8 and the 50MM 1.4. I have adapters for Olympus OM to EF, Pentax to EF and M42 to EF. That would be my advise to OP also: For the OP to sell all Pentax stuff and just buy the 40mm, which is auto-focus, designed for FF and a great value.Ī 40mm is not a great replacement for 28mm and 20mm, though. ![]() I think the Canon 40mmpancake is better, with silent focussing and nicer bokeh. In my opinion, the Pentax pancake is still the best of the lot. I still have the K-7 and the pancake 40mm though. At least, I had them - i've sold them to eBay this past week. I asked this question a little while ago since I just recently switched from the Pentax system.
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